Showing posts with label 2010s horror. Show all posts
Showing posts with label 2010s horror. Show all posts

Thursday, October 31, 2024

The INV4SIAN: Review Roundup

Well, happy Halloween everybody! This post will conclude an entire month of Asian cinema reviews here at the Cinema Somnambulist blog palace. I hope you all have been enjoying this cavalcade of goodness (and only occasional not-so-greatness). As usual, I have watched way more films than I can hope to write full reviews of within any kind of a thing called "time". So, here's a list of 13 more films that I watched in order to celebrate Asian cinema. Check it out:

Skin Striperess (1992)

Skin Stripperess is the trashy tale of a shady dude pimping out his girlfriend to secure investors for a beachfront development project. When she dies in a freak electrical accident, her spirit returns and funks his ship up. A monk (Ching-Ying Lam) is called in to exorcise her spirt. It doesn’t go very well. I enjoy this film’s gore (especially that skin stripping), colorful lighting, and liberal use of fog machines. Unfortunately, there’s animal violence with frogs and snakes getting murdered onscreen. Dig the music lifted from Lucio Fulci’s City of the Living Dead (1980) on this film’s score. I kind of liked this one, but would never sit through it again.

A Monstrous Corpse (1981)

This Korean remake of Let Sleeping Corpses Lie (1974) is somewhat disjointed and flat, but has enough cool moments to warrant a viewing for fans of Jorge Grau's masterpiece. The story (that follows the original's very closely with only slight variations) is about an experimental radio transmitter that awakens the dead. The version I'm reviewing is either censored or was very tame from the get go, but that's okay since the countryside setting is beautiful and the music features some neato synthesizer work. Not too shabby, but not essential viewing.

Mail (2004)

Mail is a collection of stories featuring a detective who specializes in sending ghosts to the afterlife. After being very impressed by the manga by Housui Yamazaki, I have to admit I was a little let down by this shot on video (and probably made for TV) adaptation. Part of the problem is that it's so cheap looking, but also I wasn't expecting an episodic collection of stories crammed into a feature length movie. Stylistically, this movie can be summed up in the main character's ridiculous looking baggy leather pants. You're better off reading the manga, though Chiaki Kuriyama (of Battle Royale (2000) fame) is in this and she makes everything better (sometimes).

Witch from Nepal (1986)

Before you even ask, it's not pronounced "weyatch frown nipple". Chow Yun-Fat plays Joe, just your average Jim, who ends up getting himself involved in a supernatural battle against the forces of evil. He also strikes up a romance with magical Sheila (Emily Chu), much to the chagrin of his girlfriend Ida. Witch from Nepal is pretty awesome with its magical fun, dreamlike qualities, emphasis on spectacle, corny love story, and genuine weirdness. Low key but also kind of essential if you're a fan of Hong Kong madness. At the time of this review, Witch from Nepal is on Tubi. Go for it!

Kakashi AKA Scarecrow (2001)

A remote village is getting ready for their Wicker Man-like festival by putting up nightmarish scarecrows all over the damn place. Kaoru (Maho Nonami) has shown up in the middle of tthis wacko fest to find her missing brother. She should have not done that. This quiet and eerie little movie was a nice creepy surprise. Any time I can find a Japanese horror film from the late 1990s/early 2000s heyday that is unseen by me, I'm gonna jump on it. Kakashi is tinged with a melancholic vibe and is graced with beautiful cinematography and cool sound design. Director Norio Tsuruta has made quite a few horror films in their career including Ring 0: Birthday (2000). I wish Kakashi was more talked about. I mean more than me right now. Highly recommended. 

Ghost Eyes (1974)

Pao-ling (played by Szu-Chia Chen) is a manicurist that meets a mysterious optometrist who seems to have some strange power over her. Could he be a vampire? This is a solid horror film from the director of COrpse Mania (1981). It has some scary moments, is super melodramatic, but also brings the silliness at times. I ended up rooting for the heroine. I really wanted her to be okay. The music and the cinematography give this one some occasional giallo feels which I always appreciate. 

Look Out, Officer! (1990)

Seasoned police detective Piao (Bill Tung) is killed by a smelly drug kingpin and returns from the afterlife as a ghost. He teams up with police cadet Hsing (Stephen Chow) and his former partner (Stanley Sui-Fan Fung) to set things right. This one is pretty bad (those fart and pee jokes), but enjoyable enough for Stephen Chow fans. A cat poops on an altar... twice. There are some clever gags and I got a kick out of the hokey music stingers on the soundtrack. There's plenty of ghostly malfeasance and even some sorcery in the plot. There are some jokes at the expense of Vietnamese immigrants. Boo. No one asked for that.

Exte: Hair Extensions (2007)

A body is discovered in a crate of human hair. Thanks to a shady security guard/hair fetishist at the morgue, the hair ends up getting sent to a hairdresser and used as extensions. But it's cursed hair, y'all! So yes, this is truly one of the strangest films I've ever seen, which is hardly surprising since it comes from writer/director Sion Sono. Chiaki Kuriyama stars in this one and well, you know, she rocks. This isn't all just freaky and hilarious weirdness. Exte is also emotionally brutal and can get pretty disturbing. If I reveal too much, it would be a disservice since you need to see this one for yourself.

Howling Village (2019)

A lady goes searching for her brother who disappeared at the legendary “Howling Village”. I freakin’ love how prolific Takashi Shimizu is. The guy has directed over 25 horror movies and TV shows at the time of this writing. Howling Village is a very pretty and gloomily atmospheric film with some overly melodramatic moments near the finale, but overall, it’s a solid effort. Keep an eye out for Renji Ishibashi, one of my favorite character actors whose credits have already pushed past the 400 mark. The worst thing I can say about this film is that it felt about 5 minutes too long for me. I suspect that if you’re vibing with it, you won’t mind at all.

Forbidden Siren (2006)

Oh no! Not another cursed village movie! Why does this keep crappening to me?! In 1976, a terrible disaster struck a small island village leaving only one survivor. A writer moves there with his two kids and is warned by the locals not to go out at night when the island's siren goes off. His daughter (Yui Ichikawa) almost immediately discovers that shit just ain't right in this spooky place. This one really surprised me. It has a really cool, unique vibe to it. I dig the Lovecraftian vibes and the claustrophobic nature of the island setting. Now I want to play the video game it's based on.


Heartbeat 100 (1987)

Trying to remember the plot of this movie is almost impossible thanks to my gibberish notes. BUT... I will try. Murderous thieves hiding out in a small village terrorize some tourists, including a writer (Maggie Cheung), who's just looking for a relaxing working vacation. That should do it. Anyway, Heartbeat 100 won me over with its uncomplicated plot, spooky moments, garish lighting, surprising gore, corny comedic situations, and a killer ceiling fan. It's basic as hell but entertaining. Not a strong recommend, but if you're in the mood for some Hong Kong trash, give it a whirl. One of the characters is named Weeny Eyes and also there's a poodle named Chu-Chu.

Vampire Hunters (2003)

Four vampire fighting monks battle the forces of evil to save the life of a beautiful girl. That is the VERY SHORT version because, this is way too complicated to get into here. I kept seeing this one for rent at Hollywood Video, but never took a chance on it. I'm really glad that I finally did because it's a winner! Co-produced and written by Tsui Hark and directed by actor-turned-director Wellson Chin, Vampire Hunters is very imaginative with some inventive gore and cool vampires. This came out right before dodgy CGI took over, but there's a few cruddy digital touches here and there. A lot of the film takes place on sound stages with practical effects aplenty. There's also just the right amount of humor mixed in to keep things from ever getting too serious. 

Shin Kamen Rider: Prologue (1992)

Thanks to his dad's experimentation, college athlete Shin becomes Kamen Rider, a half-man, half-grasshopper superhero. It's up to him to battle an evil syndicate called "The Syndicate", who plan on using his dad's work to take over the world. Where has this movie been all my life? The creature effects are as cool as they are slimy. With its schlocky melodrama and heightened over acting from the cast, this one just hits all the right beats for me. It plays like a kids movie, but there's nudity (laughable swimming pool sex scene) and tons of violence (arterial spray!). The jammin' synthesizer score alone should make this essential viewing for 1980s creature feature enthusiasts. Based on the hit TV series that has spawned many, many iterations, I heartily recommend this and its very fun sequel from the following year called Kamen Rider ZO (1993).

Friday, October 4, 2024

THE INVASIAN: Over Your Dead Body (2014)

Takashi Miike is one easily one of my favorite directors of all time. Like the late, great Jess Franco, he is wildly prolific and has a unique style all his own. When I saw that Shout! Factory was releasing another one of his titles, I couldn’t have been more excited. While I don’t love everything he does, I always get to see something masterfully directed or at the very least, wildly bizarre, when I check in on this weird dude’s work.

Here’s the bare minimum of the plot because I don’t want to risk spoiling anything. While rehearsals for a lavish production of the famous Japanese ghost story, Yotsuya Kaidan*, are under way, lead actress Miyuki (Ko Shibasaki) suspects that her boyfriend and fellow actor Kosuke (Ebizô Ichikawa), is having an affair with a younger actress. As the storyline of the play grows darker, so does Miyuki’s obsession with keeping Kosuke by any means necessary.

Miike could easily pull off a film version of Yotsuya Kaidan and judging by his work directing theatre productions I’ve read about, he could just as easily do a stage production. In Over Your Dead Body, he kind of does both. He uses the framework of the old ghost story to blend his main characters’ descents into madness and nightmares with very pleasing results. The grotesque and over-the-top setpieces -with a dash of body horror thrown in for good measure- will make fans of horror manga very happy.

Screenwriter Kikumi Yamagishi also worked on Miike’s classic horror musical comedy hybrid, The Happiness of the Katakuris, and Hara-Kiri: Death of a Samurai. He’s a talented guy for sure but something is missing from Over Your Dead Body and I don’t know if it’s his writing, Miike’s direction, or Kenji Yamashita’s editing.

My biggest criticism of Over Your Dead Body is also a high compliment from me; I wish the film had been longer. Had there been just a bit more attention paid to the characterization of the actors in the play, this would be a stone cold classic. Their motivations and personalities are just too simple for me.

The dark beauty of the horror elements and the lavish spectacle of the play within the movie would mean even more if Miyuki, Kosuke, and the rest weren’t so thinly written. That being said, the film is loaded with enough style, scares, and Miike’s own brand of weirdness to make it worth your time. Recommended. 

*A great deal of the plot points of Yotsuya Kaidan is covered in Over Your Dead Body. I recommend the Wiki page to see what it’s all about or check out Nobuo Nakagawa's 1959 adaptation if you can find it.

Saturday, December 31, 2022

My Top 13 Favorite First Time Watches Of 2022

 
After successfully reaching my goal of watching over 500 films last year, I decided to give myself a nice break from movie tracking (which I did successfully for like five years or more). But I have been keeping track of my first time watches this year, so I could make this nice list. As usual, my criteria for best first time watches of the year (because there were so many great ones yet again) is that I have to have loved the film AND I can't wait to see it again. Sometimes I see something that blew me away, but I don't when I'd go back for that second viewing. Heck, there are some that I might never watch again! What a concept.

The Big Winners

Godzilla Vs. King Ghidorah (1991) - Totally wild tale of kaiju, aliens, time travel, and cyborgs. The plot doesn't care about them there pesky ass paradoxes. All it cares about is blowing your dang mind. I can't believe how long it took me to watch this wonderful thing.

Raiders of Atlantis (1983) - Wacko action/sci-fi madness and easily my favorite thing I've seen from the late Ruggero Deodato. The cast is awesome and the plot is outrageous, and that score by De Angelis is wonderful.

Leprechaun 3 (1995) - I had only ever watched part of the first Leprechaun film on cable once, and I saw enough to know the series was not for me. Well, that all changed when LeEtta and I got desperate for some St. Patrick's Day horror stuff. I still don't like the first film all that much or the second. But hot damn, part 3 is where it's at! The whole thing is just bonkers.

Once Upon a Crime (1992) - I have a vague memory of when this came out, but somehow it eluded me for years. Once Upon a Crime was certainly worth the wait, because I doubt I would've appreciated it as a kid.

Blood and Lace (1971) - My pal Brad kept telling me that I was going to love this one and he was not wrong. Like not even a little wrong at all. This one is such a demented little proto-slasher with lots of weirdos characters and a kooky plot. Truly amazing trash.

Get Crazy (1983) - A super charming and goofy New Year's Eve concert film that must be seen to be believed. I really can't wait to see this one again.

The Final Terror (1983) - Now this is early 80s slasher perfection. I can't believe that I slept on this one for many damn years. It didn't help that I was mixing it up with at least two other slashers released around the same time.

Children of the Night (1991) - This charming slice of strange from Fangoria Films made me so damn happy. If you think you've seen it all, just keep digging and you'll get rewarded with some unique and fun stuff like this. Children of the Night would make a great Peter DeLuise double feature when paired up with The Midnight Hour (1985).

Phantom of the Mall: Eric's Revenge (1989) - What a treat! I had been under the impression that I'd seen this one before. But I definitely had not! This one has got some crazy energy to it. 80s as all heck and very entertaining.

The Brain (1988) - I kept confusing The Brain with Frank Henenlotter's Brain Damage (1988), which I only just watched very recently. The Brain is pretty darn wild and weird. And this is a bonus Christmas movie. It's subtle, but it's there. Jingle jingle.

The Initiation of Sarah (1978) - I am a sucker for made-for-TV horror movies as everyone should be. This profoundly dumb schlock has a great cast and two movies packed into it, despite having no time for either to develop. Glad I waited for the Arrow Blu-ray.

Deadly Games (1982) - I love when a slasher movie is way more concerned about the lives of and relationships of the characters than the actual stalking and slashing. Plus, Deadly Games has an odd vibe to it and bonus, it also has some choice giallo imagery! 

Scanners III: The Takeover (1991) - I can't stop thinking about this insanely stupid garbage. It ain't good and rides the line of being awful, but it's just so damn entertaining and truly off-the-wall.

And here is the Not So Much Winners list. All of these films are ones that I heartily recommend, but I am in no rush to see them again in the near or far future. So, unlike the above list which was not arranged in any way, these are arranged from the ones I'm most likely to rewatch someday at the top, and then down to the ones I'd likely not watch again.

The Not So Much Winners

The Peacock King (1988) - More big concept insanity from the director or Story of Ricky (1991).

Godzilla vs. Mechagodzilla II (1993) - Convoluted in the best way and all-around fun stuff.

Alien from L.A. (1988) - A silly and charming mess from Albert Pyun (RIP).

Voyage of the Rock Aliens (1984) - Despite being just a tad too long, this is completely outrageous with a strong "what the hell did I just watch?" vibe.

See How They Run (2022) - A funny whodunit that is straight up good times. Sam Rockwell for the win.

The Band Wagon (1953) - If you're in the mood for a nutty musical with a contrived love story, you could definitely do worse. 

Halloween Ends (2022) - A breath of fresh air and my favorite of the new Halloween trilogy.

Dark Glasses (2022) - Our good buddy Dario Argento gave us a nice treat this year. While it didn't blow the doors off the place, it felt like a good return to form.

Shock 'Em Dead (1991) - Heavy metal horror that will destroy your brain cells.

Christmas in July (1940) - Charming and very funny comedy. Seek it out.

Def by Temptation (1990) - A huge surprise and just magical.

Rubber (2010) - What the actual frickin' frick is this? Seriously wow.

Everything Everywhere All at Once (2022) - Totally jaw-dropping and heartfelt brilliance.

Vibrations (1996) - One of the strangest pieces of 90s crapola out there.

Cute Devil AKA Kawaii Akuma (1982) - Another Obayashi oddity. Spooky good times.

Bloodstone: Subspecies II (1993) - Better than the original and my favorite of the series.

Pearl (2022) - An outstanding film from the always reliable Ti West.

The Black Phone (2021) - Masterful storytelling, acting, and direction.

The Night House (2020) - Scary and beautiful stuff that got under my skin.

Last Night in Soho (2021) - A slam dunk in the form of a British neo-giallo.

Barbarian (2022) - A badass horror film that left me feeling thrilled and dirty.

Prey (2022) - A totally unexpected treat.

Won't You Be My Neighbor? (2018) - A major tearjerker and a fine portrait of a unique and wonderful person who once walked on this planet.