Who is Akira Inugami (Sonny Chiba)? Is he a private
detective? Is he a deadly coin-thrower? Is he the last descendant of a race of
vaguely wolf-like people? The answer to these questions is yes, definitely
mostly kind of yes. Akira gets dragged into a bizarre case where men are being
slashed to bits by an invisible assailant. His only lead is Miki (Etsuko Nami),
a nightclub singer who was raped by a gang of dudes who gave her syphilis. One
by one, her rapists are being mangled to death by what can only be described as
a psychic tiger. This case leads Akira down a dangerous path when a group of
scientists capture him and Miki, looking to exploit them for their unusual
gifts. He escapes -How does he do it? Let’s just say that it takes guts!- and
flees to the countryside to visit what’s left of his village. But where Wolf
Guy goes, trouble always follows.
Where the hell did this come from? Oh duh! Wolf Guy is
straight from the heady miasma of Toei’s disturbingly prolific production
output of the mid-1970s. Sonny Chiba made 6 films and a TV series in 1975 and
I’ll be damned if this isn’t the strangest. He’s absolutely not wasted here and
he dominates the screen -as usual- while bringing this unusual character to
life. Director Kazuhiko Yamaguchi certainly knew how to get the most out of his
star especially since they collaborated several times before and after Wolf
Guy. Etsuko Nami manages to wrangle some well-deserved screentime away from
Chiba with her hypnotic performance as Miki, a woman whose life was destroyed
by sexual violence and who is now spiraling out of control.
What really stands out in Wolf Guy is the score by
composer- well, I don’t have a clue who did this gorgeous combination of fuzz
guitar-laden funk and atmospheric synthesizer. According to IMDB,
cinematographer Yoshio Nakajima shot 36 films in 14 years and certainly gives
the viewers of Wolf Guy a lot of vibrant colors and kinetic madness to drool
over. I have to wonder if screenwriter Kazumasa Hirai -and creator of the
character Akira Kazumasa- was happy with the final product onscreen here. Toei
producer Toru Yoshida hints in an interview in this release that he was not.
But screw that! Wolf Guy is a howling good time!
While I’ve never read the source material, Wolf Guy
captures the wild, anything goes spirit of manga itself and is a helluva good
watch for Japanese cult film aficionados. This forgotten oddity will certainly
be a title I reach for when I want to confuse guests on a Saturday night. The
really extreme exploitation elements, a very brief rape sequence and some real
surgery footage, are never cranked up to levels that make for uncomfortable
viewing. And the superb pacing of this film is such that I didn’t want the film
to be over once the credits started rolling. I can’t wait to watch Wolf Guy
again!