Showing posts with label William Fruet. Show all posts
Showing posts with label William Fruet. Show all posts

Thursday, August 4, 2011

1976 Double Feature: The Sexy Killer & Death Weekend

It seems that every year that I am alive, I get a year older. And every year my birthday is always today, the 4th of August. Weird, right? Anyway, I am here to celebrate with y'all, my internet budz, by checking out a couple more films from my birth year, 1976. Enjoy!



The Sexy Killer
AKA The Drug Connection
Directed by Chung Sun
1976
Starring Ping Chen, Hua Yueh, Wei Szu, Ching Tien, Yang Chiang, Shen Chan
88 minutes

When her sister goes insane after a heroin overdose, Wan Fei (played by Ping Chen) wages her own war against drugs, going undercover as a junkie/hooker and then shaking down (and killing) mofos for information. Her friend Wei-ping (Hua Yueh) is the only uncorrupted cop in the city but his hands are tied. Things get even more complicated when Wen Fei sets her sights on taking down Lung Tou (Shen Chan), a ruthless drug lord and S&M freakazoid, who has his hand in every pot of corruption in the city.



This Shaw Brothers' remake of Coffy is a freakin' riot. It has all the cynicism, sleaze, and melodrama of the original Pam Grier vehicle plus the gratuitous and gleeful slow motion ultra-violence of They Call Her One Eye. And oh my, it all works! The camerawork is perfect and the colors are vibrant and even occasionally searing. From the bombastic opening credit sequence to it's awesome finale, The Sexy Killer's pacing is exceptional with tons of action, over-the-top acting, and disco fabulousness. This might just be my new favorite Shaw Brothers movie. All that's missing is Sid Haig. Highly recommended if you like movies containing hookers, strippers, pimps, drug dealers, and crooked cops.



"Drugs! Drugs! I hate it so much!"



Death Weekend
AKA The House by the Lake
Directed by William Fruet
1976
Starring Brenda Vaccaro, Don Stroud, Chuck Shamata, Richard Ayres, Kyle Edwards
87 minutes

A dentist named Harry (palyed by Chuck Shamata) brings a model named Diane (Brenda Vaccaro) out to his vacation home out in the boonies. He claims that he is having a big get together but this sleazy duder only has one thing on his mind: banging Diane. On the way out to the house, Harry and Diane run afoul of a quartet of violent scumbags led by a guy named Lep (Don Stroud). Thanks to the help of some local yokels, the creeps manage to follow them to the house and they immediately start making trouble. You know this isn’t going to end well. At least, not for Harry.



Home invasion horror meets rape-revenge thriller in Death Weekend, a nasty little piece of 70s insanity that I like more than I should. Director William Fruet would go on to direct some other genre oddities like Funeral Home, Spasms, Killer Party, and Blue Monkey. I can’t find who composed the music for this film but they did a fine job. The music is eerie, pretty, and very good.



I really like Brenda Vaccaro in this film but the script has some pretty terrible moments of “I will speak my thoughts out loud now” and even worse: "ooh am I enjoying this rape?" As usual, her voice is so husky and breathy that it begs parody (not even SCTV could resist) but I really like her character when she gets pushed too far and starts mopping the floor with the baddies. The always dependable Don Stroud steals the film as Lep, a terrifying psycho fuckwad out looking for trouble with his horrible crew of shitpiles. I like how Harry is not only a wimp but also a terrible pervert loser as well. I’m glad the script adds an extra sleazy vibe to the guy but Chuck Shamata barely holds his own and could have gone farther with his role.



While it turned out to be an engrossing and nail-biting film, I wouldn’t call Death Weekend an essential piece of trash cinema. The menace, tension, and mayhem are all delivered successfully but there is little to elevate this above its place among other similar pieces of pointlessly offensive garbage. That being said, I found myself enjoying the film against my will. So if you’re gonna watch this thing, trust me, the end is worth sticking around for. The finale makes up for the uber-unpleasant setup. I’m sure super-producer Ivan Reitman is very proud of this film to this day.



"Jesus, that broad can drive! That pisses me off!"

Friday, May 15, 2009

Funeral Home



Funeral Home
Directed by William Fruet
Released: 1980
Starring Kay Hawtrey, Lesleh Donaldson, Barry Morse, Dean Garbett, Stephen E. Miller, Alf Humphreys, Peggy Mahon
Running Time: 93 minutes

Heather (played by Lesleh Donaldson) arrives by bus to help her grandmother, Maude Chalmers (Kay Hawtrey), convert the family funeral home into a bed and breakfast. Sounds like a pretty fantastic idea to me. Miss Chalmers is a God-fearing woman but ever since the disappearance of her mortician husband, she’s been just a tad strange. As some of the guests start to disappear, Heather begins to suspect that something terrible may be going on.

Canadian William Fruet, the man behind all kinds of wacky movies such as Spasms, Death Weekend and Blue Monkey, directs this simple but atmospheric cheapie that is actually pretty decent. The story is very simple (it should only take you about 4 and a half seconds to figure out) but has lots of holes. For instance, why does this little shitbox town have so many tourists anyway?

I can’t help but love the simple, easy-going and all American- um... okay, Canadian folks in this movie. Heather will steal your heart because she is just so darn adorable (especially in that frumpy one piece she wears to the rock quarry (where all the kids go)). There’s a hapless (yet intermittently brilliant) rookie cop named Joe (Alf Humphreys) who knows that there is some hinky stuff going on but just can’t seem to put the clues together.

Kay Hawtrey tears shit up as Maude Chalmers, a scrappin’ broad who just cannot stand sinners. I totally side with her, by the way. And it just wouldn’t be a rural thriller without a subnormal farmhand snooping around. His name is Billy Hibbs, he’s played by Stephen E. Miller and he is horny and angry (but you know he’s the reddest red herring of them all).

When all is said and done, Funeral Home is an okay way to kill an hour and a half. The camerawork is excellent and the film has an undeniably unsettling atmosphere. There isn’t much blood but there are enough of those early 80s short shorts to make any viewer nauseous. The climax is very tense even though we’ve known what the twist (I hesitate calling it that) was going to be all along.