Showing posts with label George Romero. Show all posts
Showing posts with label George Romero. Show all posts

Wednesday, July 19, 2017

Zombie Movies

Partly due to the passing of the great George Romero and partly due to a discussion with my pal, the great Simon (Creatures of Light and Darkness), I have compiled a list of my favorite zombie movies. As I was talking with Simon, the list kept growing, especially after he sent me his and I was like "oh snap, I'll steal pretty much all of these, thank you". Then the Wiki happened and then my meager list began to morph into its very own horde of the hungry dead. I'm not going to bother with that whole "so what is the appeal of the zombie film?" pontification paragraph. Let's just get rad.

Night of the Living Dead
Night of the Living Dead (1990)
Let Sleeping Corpses Lie
The House by the Cemetery
Zombi 2
Zombi 3
Horror Rises from the Tomb
City of the Living Dead
White Zombie
Planet Terror
Zombi Holocaust
Dawn of the Dead
Vengeance of the Zombies
Tombs of the Blind Dead
Cemetery Man
Bio Zombie
The Hanging Woman
Nightmare City
Burial Ground: The Nights of Terror
Dead Alive
Resident Evil (franchise)
Re-Animator
Bride of Re-Animator
The Living Dead Girl
Night of the Creeps
Return of the Living Dead
The Fog
Messiah of Evil
The Beyond
Mutant
Horror Express
Zeder
Pontypool
Day of the Dead
Oasis of the Zombies
House of the Dead
Grapes of Death
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies
Shock Waves

Thursday, February 4, 2016

Dawn Of The Dead On The Big Screen

This happened five years ago. I guess I'm ready to talk about it now.

Before I start badmouthing Tampa Pitcher Show, let me just say that I do think it’s a cool place. Any old theater that still does The Rocky Horror Picture Show on a regular basis has something good going for it. My experience at their Dawn of the Dead screening was embarrassing and mostly terrible. You can probably write all of the following off as a weird old guy who should just the shut the hell up.

I read somewhere that there was going to be a screening of the original Dawn of the Dead (oh, there was a remake?) accompanied by zombie video games, zombie strippers (I didn’t expect this part to be true), and Mike Christopher AKA the Hare Krishna zombie from the 1978 film. I was really, really excited about this event. Seeing Dawn of the Dead -a movie that was hugely important to my development as a horror movie fan- on the big screen was paramount. Of course, I was headed for disaster.

Before we get to the screening, let me share this little story. My first encounter with this classic film was due to this stuttering kid at our school. Seemed like a nice enough chap so I would stand up for him when my loser classmates would make fun of his speech impediment. This kid was way into horror movies or so he professed and I was impressed as hell by his Dawn of the Dead t-shirt. It featured a person's exploding head.

When I asked this kid about what was going on with his t-shirt, he told me that in Dawn of the Dead there were all these zombies. Check! He then told me that the figure on his t-shirt was the king zombie. Um... wait a second. He related to me how bullets wouldn't stop this creature and that the heroes had to use a rocket launcher to destroy it. That's how its head exploded. Holy shit! I wish Dawn of the Dead had that in it! A couple of years later, when I finally watched Dawn of the Dead, I remembered that kid and just felt kind of stupid. In order to make up for his stuttering, he was just a bold faced liar who’d probably never even seen the dang film.

Okay, back to 2010. It was a Saturday night in early January and it was a friggin’ cold night in Tampa. I know what you’re saying, Florida gets cold? It does and when it does, us thin-blooded Floridians are screwed. Lows in the 30s might be nothing to a lot of people but it feels like the end of the world to us keepin’ it real in the dong-shaped state. But more about that later.

I showed up too early to Tampa Pitcher Show due to my unbearable excitement. The ticket window was closed so I went inside. Sherlock Holmes (the one with Harry Connick Jr. and Rufus Sewell) was still playing on their only screen so I had to wait in the lobby for a while. I got something to eat and a soda. There were some teens playing zombie themed video games on televisions around. I didn’t know anybody so I just kind of watched people playing for a while. At some point, the ticket window was open so I went outside and got in line to pay admission.

Right in front of me in line were these two odd dudes. I’m pretty sure they were a couple and it was a May-December thing. The younger guy was skittish as shit and I swear he looked at me about 90 times before he urged his partner to look at me. His request was so urgent that when the older dude turned to look at me, he was immediately confused. He gave his boyfriend a glare as if to say, ‘what the fuck is wrong with you?’ Maybe the younger guy thought I was cute or especially ugly or I had piss stains on my pants, who knows?

When I got back inside, Sherlock Holmes was still playing. The time for the event to start had already passed and one of the employees told me that the previous film had started late. For the next half hour, I sat and watched people playing video games some more. People started showing up dressed as zombie hunters with Nerf guns and plastic swords. I attempted to talk to some folks but I got the cold shoulder. Something was just wrong.

Finally, the auditorium emptied out and I got to go inside. A wave of nostalgia hit me like a ton of bricks. The cheap furniture and the garbage carpeting brought me back to every dollar theater I’d ever set foot in. I felt like I was right at home. Don’t worry, it didn’t last long. I marched right up front to a table, took off my jacket, and flopped down in a chair, giddy with excitement.

Someone rolled out a laptop and a projector and my heart sunk. No fucking way were they going to show Dawn of the Dead with a tiny little projector when they had this huge screen. The urge to bolt was immediately quelled when a bunch of unfunny zombie memes started showing up on the screen. Whew, I thought, that was a close call.

So while these terrible zero cultural farts are just rolling along through a Windows slide show of doom and my intelligence is being zapped from my brain, I notice that I’m sitting alone. Everyone at the theater except for me is sitting in the back. I’m the only person who appears to have arrived alone and the only one who doesn’t know everyone else. That’s when it hit me, I had stumbled into a clique-hole. The Rocky Horror kids wanted nothing to do with me! I was just some uncool dude who was crashing their party. Suddenly, I was very depressed and embarrassed for myself. My body felt as heavy as a stone while a steamroller of social anxiety crushed me down into the filthy carpet.

Then the show started. Some ghoulish rock music kicked in and the zombie strippers came out to strut their stuff. Wow, there really is truth in advertising! Girls in zombie makeup, fishnets, frilly panties, strategically placed electrical tape, and very little else started doing their act. It wasn’t just burlesque bouncing either, they actually had a victim whose guts they tore out. I had to applaud. This was good.

Once the strippers had done their bit, it was time for Mike Christopher to give a little speech. He seemed like a nice guy. He complained about how cold it was in Florida and that got a laugh. It would probably be 80 degrees in a few days. That’s what makes all of us psychotic around here. When he was done, I should have left. I’m telling you, my friends, I should have walked out the fucking door.

So the film starts. They were indeed using the laptop and the tiny projector. This resulted in Dawn of the Dead taking up less than 20% of the available screen. The debate in my mind went like this: Is this an actual print of the film? Hell no. How important is that to me? Moderately. Is this bigger than my TV at home? Yes. Then fine, I’ll stay.

Around this time, I noticed that I needed to put my jacket back on. Tampa Pitcher Show was probably trying to save money by not turning the heat on. The temperature inside the place was starting to plummet. I had a wool cap in the pocket of my jacket. I took that out and put it on. Then I zipped up my jacket. Then I had to put my hands in my pockets. Holy shit, I was cold. Really, really cold.

Then the ‘your virus detection software is out of date’ window popped up over George Romero’s classic with a loud ding that echoed through the theater. My jaw dropped. That’s right, whoever owned the laptop in question was a complete asshole who didn’t know his/her ass from a hole in the ground. I felt so stupid for sticking through this shit show that my urge to weep or start screeching at the top of my lungs in venomous rage was deflated. I just sat there and took it like a grownup, a thoroughly disappointed grownup.

When the film ended, I got up to leave with nothing in my heart but a feeling of profound foolishness and a love for Dawn of the Dead that no crappy night out (and no shite remake) can shake. It was freezing outside. I ran to the car and hopped in. As the heat failed and only cold air was blowing out, I started laughing. It was after 2 in the morning, I was cold as balls, and I’d just wasted 4 hours of my life. I drove home shivering and making a pact with myself to never return to Tampa Pitcher Show ever again.

So in the end, Dawn of the Dead still haunts me. The film is urgently important in my heart. Seeing it when I was 13 and seeing it at that abominable screening were the same. The setting didn't matter. I was creeped out and depressed by the film. Even when I was a kid, it made me morose and I loved it. I had never felt that way from a movie before. It made me listless and thoroughly freaked me out the more I thought about it. The world looked bent, distorted and yet somehow even more real afterward. This is what good horror movies do. Tampa Pitcher Show, leave me alone. I don't want to talk to you right now.

Wednesday, October 27, 2010

Land of the Dead



I wrote about Land of the Dead over at The Death Rattle. It turns out that George A. Romero is James Hetfield's nephew. No, it's true. But don't look it up. DO YOU WANT TO EMBARRASS MEEE? Anyway, check it out. Why is October so fucking short?

This is unrelated:

Monday, March 15, 2010

The Crazies



I finally got out to the theaters yesterday with my friends Nafa and Max to catch my first horror remake of the year (sorry Wolfman, I wasn't in the mood). The Crazies is about the destruction of a small town called Ogden Marsh. This normally peaceful community is suddenly plagued with violence as its residents begin going mad. The local sheriff (played by Timothy Olyphant) discovers that a military plane carrying an experimental biological weapon has crashed in a river that supplies the town with its drinking water and its only a matter of time before everyone is infected. The military rushes in to contain the virus but their orders are not to save the day. Instead, the situation in Ogden Marsh deteriorates completely while the sheriff and his pregnant wife (Radha Mitchell) and deputy (Joe Anderson) struggle to get out alive.

I'm not a purist when it comes to horror movies so if a remake is good, then I'm game. Even if the original is stellar and it's impossible to be improved upon, I still keep an open mind. George Romero's original film has never been a favorite of mine so I was pretty psyched about seeing the 2010 version after catching the cool trailers. Luckily, a cheesy line from the second trailer was not in the theatrical version. The two little girls who tell the sheriff they hear screaming coming from the funeral home didn't show up and I was glad they didn't.

The film sports some excellent camerawork from Maxime Alexandre, the cinematographer on High Tension, P2, and The Hills Have Eyes remake. Break Eisner does an awesome job in the director's seat on The Crazies. The film is frightening and very well-paced with likable and interesting characters. Casting is also a big part of what makes The Crazies so good. All of the main characters are portrayed very well and even the supporting cast is on the ball. I really like Timothy Olyphant. He reminds me of Micheal Biehn (of Terminator, Aliens, The Fan, etc.) and that is a very good thing. Radha Mitchell of Silent Hill is great as well. While I feel just a little guilty about feeding the remake machine, I'm very glad I caught The Crazies on the big screen.

SPOILERS

For those of you who have already seen the remake (or have no plans to ever watch it), there were several key scenes that just blew me away. For starters, the discovery of the crashed plane in the river is chilling. When the sheriff realizes the plane is just underneath their boat and the next shot shows the view from overhead, I got goosebumps. The scene in the funeral home is truly harrowing as our hero discovers the town priest on a gurney with his mouth and eyes sewn shut. When he cuts the stitches on the poor bastard's mouth and the guy mumbles 'behind you', it was cheesy but in a good way. And of course the near-emasculation with the friggin' bone saw is just genius. Danielle Panabaker's death by hanging at the car wash also provided the chills. And moments later, the military helicopter blowing up the heroes' car had Nafa and I cracking up at the sheer dark comedy of the whole situation which was immediately echoed by Joe Anderson's own wry laughter.



Sunday, January 10, 2010

Dinner Theater/Dawn of the Dead



In case any of you were at last night's event and saw some creepy duder sitting there alone and looking very antisocial; that was me. Sorry if I didn't say hello. But I was a little out of my element. I don't get out much and I just had no idea what the fuck was going on. It's like my mother always says, well actually she hasn't said it to me that I can remember but she might yet one day, 'if you can't say anything nice then don't say anything at all'. Sigh...

So yeah, the original Dawn of the Dead (oh, was there a remake?), great movie. It was one of my favorites as a kid. My first encounter with the film was due to this stuttering kid at our school. (Have I told this story before?) Seemed like a nice enough chap so I would stand up for him when my loser classmates would make fun of his speech impediment. This kid was way into horror movies or so he professed and I was impressed as hell by his Dawn of the Dead t-shirt. It featured a person's exploding head. When I asked this kid about whose head was exploding, do you know what he said?

First, he told me that in Dawn of the Dead there were all these zombies. Check! He then told me that the figure on his t-shirt was the king zombie. Um... wait a second. He related to me how bullets wouldn't stop this creature and that the heroes had to use a rocket launcher to destroy it. That's how it's head exploded. Holy shit! I wish Dawn of the Dead had that in it! A couple of years later, when I finally watched Dawn of the Dead, I remembered this kid and was just felt kind of stupid. In order to make up for his stuttering, he was just a bold faced liar who had probably never even seen the dang film.

Anyway, Dawn of the Dead still haunts me. The film is urgently important in my heart. Seeing it when I was 13 and seeing it last night were the same. The setting didn't matter. I was creeped out and depressed by that film. Even when I was a kid, the film made me morose and I loved it. I had never felt that way from a movie before. It made me listless and thoroughly freaked me out the more I thought about it. The world looked bent, distorted and yet somehow even more real afterward. This is what good horror movies do. Tampa Pitcher Show, leave me alone. I don't want to talk to you right now.

Tuesday, October 13, 2009

Night of the Living Duder



There are some SPOILERS coming up. If you haven't seen Night of the Living Dead by now... well holy shit, you need to get with the program. I mean, come on. It's the 90s!

In 6th grade, my fascination with horror was still going through its growing pains. My mind had already been poisoned by a number of accidentally amazing moments. Catching Girls Nite Out in the middle of the night while I was supposed to be sleeping, seeing A Nightmare on Elm Street on video with my sister Lora, going to the drive-in with Lora and her future husband to see Creepshow 2 are just a few important things that happened to me. Another monumental event took place on Saturday, October 31st, 1987. All day, I saw commercials advertising a midnight showing of Night of the Living Dead on TV. I don't know why but something told my 11-year-old brain that this was a must-see.

We had just moved into these creepy apartments in Jupiter, Florida called Jupiter Sound Apartments. The place is one of those motel style dealies that was designed to make me uneasy for no reason whatsoever. I only had two friends which I made relatively quickly in the whole neighborhood. Oops, make that no friends. One was Timmy who had just moved to Alaska and the other was Jeff who I caught stealing $10 (my life savings) from my dresser while we were hanging out. My older sisters were now both married and out of the house. So needless to say, my Halloween night was wide open.

Staying up late was no problem. I was already wired from inhaling untold amounts of candy. Just before midnight rolled around, my parents called it a night and I was left alone to face the black and white terrors of George Romero's classic film. From start to end, I ate up Night of the Living Dead. The downer ending where Ben survives a zombie plague but falls prey to dickhead rednecks was truly shocking. But the two scenes that affected me the most were when Tom and Judy met their fiery fate at the gas pump and when Karen takes a trowel to her mother. I was totally fucked up about Tom and Judy's death scene. This cold feeling in my stomach came creeping in like when Travis shot Old Yeller. It seemed totally unfair to me that they got blown up and then consumed by the zombies.

Karen killing and then devouring her mother on the other hand, scared me in the best way. I was exhilarated and oddly happy during that moment. Don't read into that one, Mom. It was also apparent to me that the scene was kind of weird and beautiful. I don't think I had a word for it then but thanks to the freaky sound design, Helen's death is pretty friggin' surreal. Her sped up screams opened up a part of brain that I didn't know existed. Ever since then, I have appreciated directors who use horror as a place to air their freaky cinematic ideas (whether intentional or not) and push the limits of what a typically low brow genre like horror can be used to express.

So yeah, that was a magical night. It is indeed a big turning point. The next day, all of my G.I. Joes were no longer fighting Cobra and vice versa. Instead, these two warring factions had to unite in order to fend off a zombie horde. Soon I would be sneaking peaks at Fangoria magazine at the drugstore, reading Stephen King novels by the truckload, and eventually renting as many horror movies on VHS that was humanly possible.

Skip to 4:00 for Tom and Judy's demise:



Skip to 1:50 for Karen's big moment: